The parents arrive at home expecting to be warmly welcomed; instead they find out that the nurse for their baby is overly protective. Their young son unloads his grievances on them, including his complaint that he doesn't like his birth name. And they find that their eldest daughter Amy (Mona Freeman) has matured into a young woman and doesn't know how to relate to her mother. It's funny when Joan Fontaine gasps,"she knows all about life...and the seamy side!"
The rest of the movie is all about the couple adjusting to life back at home and learning how to relate to their kids, and vice versa. I think the film would have worked in a modern-day setting, but it is a period film just like JM Barrie's play (though the film takes numerous liberties).
There is another subplot involving the kids' paranoia when they mistakenly think their mother is having an affair; the climax of the film ends with an explosion of hysteria, and funny comedic moments from all.
Another highlight of the film is when Joan Fontaine plays the piano at home, and later singing a lullaby to her baby.
(Admin. note: If anyone knows the lyrics or title of this lullaby, please let us know)
(Admin. note, 7.17.2014 - Thank you, Laura, for identifying this piece of music as being Brahms Waltz in A-Flat Major, Op. 39 No. 15)
Directed by the great Mitchell Leisen. Co-starring Willard Waterman (Radio's The Great Gildersleeve), Billie Bird (Police Academy 4) and Peter Hansen (TV's General Hospital)
Spoiler: No one in the film says "Darling, how could you!"